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Permanence—by now it seems like such an antiquated notion. To them, the future is located in the antithesis of that: in them, in the exact imprecision of geographic specificity. Viva Las Vegas, New York, New York, London Calling— once upon a time these places recalled romance, novelty, fascination. As they summon these old nostalgic odes in exaggerated, high-pitched trilling, they smirk. They are all deliriously and deliciously high off of each other—they feel that the innovation they are presenting to the world is revolutionary, and begin to chime…’First, we take Manhattan…’

Puzzles, motion, fictitious force, heuristics, chambres, a perte de vue, lost item, incoherency, the dead end. In one of the alleyways I found a man resting on a bed-sheet. He was surveying the universe with a planisphere. He told me he got there via an air balloon in order to produce a shroud, that this shroud was an embodiment of all of us. A fiction of the strangest kind that can’t be materialized in any known form of art including classical conceptualism. He held an invisibility cloak that somehow protected him from the world of visible matter. It was sure to give him good fortune.

Otto Muehl.

Otto Muehl.

This is the world we wanted.

All who would have seen us dead

are dead. I hear the witch’s cry

break in the moonlight through a sheet

of sugar: God rewards. Her tongue shrivels into gas… .

Now, far from women’s arms

and memory of women, in our father’s hut

we sleep, are never hungry.

Why do I not forget? My father bars the door, bars harm

from this house, and it is years.

No one remembers. Even you, my brother,

summer afternoons you look at me as though

you meant to leave,

as though it never happened.

But I killed for you. I see armed firs,

the spires of that gleaming kiln—

Nights I turn to you to hold me

but you are not there.

Am I alone? Spies

hiss in the stillness, Hansel,

we are there still and it is real, real,

that black forest and the fire in earnest.

die cirkus. 3.

die cirkus. 2.

die cirkus. 1.

Clacking, huffing, almost snarling

With anticipation we raced

Through our haphazard preparations

Using speed and carelessness

To ease the magnitude, the reality

Of what we were actually embarking on

Sure, we were influenced

By the standard

And didn’t strive too much

To diverge from that

As we thundered out

Our hearts beating like

Animal cries in the jungle

Whisps, lines, dew

To give us the courage

To fulfill this enormous task

Of an adventure

We had self-prescribed

The crowds were

the same as always

Though tonight they

Appeared just a touch more vile

We had everything

We needed

In our hands

The glance we were allowed

Had us mesmerized

And we knew

We just couldn’t

Do that.

Henrik Olesen. Abschied von den Eltern.

Henrik Olesen. Abschied von den Eltern.